Showing posts with label Jeff Beck. Show all posts
Showing posts with label Jeff Beck. Show all posts

Friday, July 18, 2014

The story of "Greeny" the 59 Burst

Some instruments take on a life of their own and become legends in their own right. They have stories to them, which may or may not be 100% factual. It's important to remember that these instruments would not be so interesting if it had not been for the players playing them. I'm writing down some of these stories mostly for my own interest, and this is one such instrument.

Peter Green's 59 Les Paul Burst 9-2208

In 1966 Eric Clapton left John Mayall's Blues Breakers and was replaced by the young, up and coming Peter Green. While with the Blues Breakers, Peter acquired a used 59 Les Paul burst. Green decided to leave the Blues Breakers in 1967 to purse a more "pure blues" style with a drummer named Mick Fleetwood and formed Fleetwood Mac. Green played a lot of gigs and recorded many songs with that guitar and became a guitar hero for blues rock player's everywhere. Many noted players including Jimi Hendrix and Gary Moore have pointed to Greens playing and tone as being influential to their playing. While in his possession at some point it is assumed that the neck pickup was turned around by a guitar tech which gave the guitar distinctive out of phase tone when both pickups are used. Peter has stated that he felt the neck was like a tree trunk compared to other Les Paul's.

In 1972 Peter Green was trying to change some things in his life and offered the guitar to guitarist Snowy White, but Snowy couldn't afford both the 59 and his beloved 57 Goldtop so it was then offered to another up and coming player Gary Moore. I've talked about my love of Gary's playing here. Gary named the guitar Greeny. While in Gary's possession we know that the guitar was in a flight case in the trunk of a car that was hit by a truck which broke the headstock and cracked the neck. It was repaired by a luthier named Charlie Chandler. Gary has stated that the guitar had been played by Jimi Hendrix, Jeff Beck, and Rory Gallagher as well.

In June of 1984 Jol Dantzig of Hamer Guitars had the chance to inspect Greeny. In his words the most unique feature was the pickups. "everything was stock it didn't appear to have been resoldered or disturbed in any meaningful way.... but the magnet was reversed on one pickup. Because the pickups internals looked undisturbed, I concluded that it must have been a mistake at the factory"
notice the red underneath the neck pickup

 Gary went on to use that guitar as his main instrument in Thin Lizzy and his solo records for many years. Then in the late 80's he acquired another 59 burst he named Stripe which he loved even more. But Greeny was still very special to Moore and toured with it through most of the 90's. But by the end of the 90's 59 burst where becoming very expensive and Gary was keeping his guitars under lock and key most of the time. In 2005 Gary injured his hand and had to cancel an upcoming tour. Because of financial obligations that he had to back out of he was suddenly in need of a large sum of cash and in 2006 sold Greeny to Phil Winfield at Maverick Music. No one will disclose the exact sales price but internet folklore has placed the price anywhere from 500,000 to 1.2 million! Moore and Winfield seem to have publicly disagreed on some of the specifics of the deal but for a while it was offered up on the Maverick Music website for sale for 2 Million dollars. Since that time one or more private collectors have owned Greeny.

In April of 2013 Joe Bonamassa received permission to play Greeny at a show at Royal Albert Hall. Joe, ever the gear lover he is stated "As for Greeny, It plays great with 11.s. Phil Harris has it and set it up very nicely. Nothing wrong with the ole girl. Plays really slinky and intonates great. It was a complete 180 from my brief experience in 2007. I have to geek out and say the out of phase thing was surreal and to look down and see that flipped pickup ( not that it matters to the out of phase) made it a moment I will always cherish. The history made on that guitar is stunning."

In June of 2014 a forum member of mylespaul.com got the chance to check out Greeny up close under the watchful eye of an insurance company person. He posted many pictures including some of the ones I've posted here. He stated that the neck wasn't as think as he thought it would be and that the pickups had a lot of output and were brighter than other burst he had heard. He also stated that the color of the pickup bobbins under the pickup covers were double white under the neck and double black under the bridge.

In July of 2014 it was confirmed that Kirk Hammett of Metallica had acquired Greeny. Hammett has long been a fan of Gary's tone and playing. Although some have been disappointed that a metal player has bought the guitar instead of a blues rock player (even though Kirk's solos has been dominated by blues influences since the black album) I'm just glad that this guitar, with it's long history, is in the hands of a passionate player and not sitting in a museum somewhere.

If your looking to replicate the Gary Moore sound check out the Gary Moore Gear Guide

Thursday, February 13, 2014

ProCo RAT 2 Review

Back in the late 90's I was using a Tube Screamer with an older Peavey amp for my setup. I tried a few different pedals but this was what I kept coming back to. About the same time a friend of mine picked up a ProCo RAT 2. He used it for a while but decided it wasn't working for him. A few years ago he let me borrow it, at first I wasn't crazy about it but after doing a bit of research on the net and trying out some different settings I'm sold.

The history of the RAT is pretty interesting. It started back in the 70's ProCo engineers were tweaking and hot rodding pedals like the Fuzz Face to try and get that big Fuzz into Marshall sound at bedroom levels. They decided that they could build something better. The RAT has become a popular pedal used by a wide range of players like Jeff Beck, John Scofield, Andy Summers, Joe Perry, Jerry Cantrell, and David Gilmour. It has a rougher sound to it than the Tube Screamer but that doesn't mean you can't get smooth tones out of it.
The ProCo RAT II

note the power adapter


The RAT 2 that I have is based around the original LM308 chip. It features true bypass switching and a red LED light in the A. The input and output are located on the top of the pedal (or back depending on how you look at it) as is the power supply. It doesn't use a lot of power and a 9V battery will last you a long time. The power supply is not the standard Boss style but adapters are cheap. I use the Visual Sound One Spot Combo Pack and it came with the adapter. On the front of the pedal you'll see 3 knobs, Distortion, Filter, and Volume. The Filter acts like a tone knob but is a bit different, it seems almost backwards in that it gets brighter when you turn it counter clockwise. ProCo has now moved production overseas and doesn't use the LM308 but from what I've read they have found a suitable replacement chip and it's still housed in a small metal box. You can see in the picture how small it is next to other pedals. I really like that the inputs are on the top of the pedal because you can put the pedals right next to each other. Sometimes I wish all pedal manufactures would move to this setup. These are also popular pedals to pickup and mod. I don't have any experience with this but like the tube screamer circuit the modded RAT circuit is very popular with a lot of  boutique builders
The RAT along with a few of my other favorites. It's small!

While looking around on the interwebs I've found a few different settings to try. John Scofield likes to use his RAT with the Distortion at 7, Filter 5, and Volume 2 o'clock respectively. David Gilmour used a RAT in the late 80's and early 90's and while he has always adjust settings he seems to like using it with the Distortion at 1, Filter 2  and Volume 2 o'clock respectively. I've found that running the Distortion around 1:30 or 2, the Filter at 2 and the Volume around 2- 2:30 works very well for me. With my Strat that is loaded with Seymour Duncan APS II's and into a clean sound the RAT by itself is similar to a Hendrixian "Fuzz into a cranked Marshall" type sound. A little less bottom end and a rough, fuzzy mids and highs. But here is where I have fun, If I click on an analog voiced delay behind it, the sound gets very smooth. This is great for Gilmourish lead tones. While it doesn't sound quite like a big boomy Big Muff that Gilmour is famous for it is a lot easier to tame. 

The ProCo RAT 2 is not an amp in a box. But it is worth spending some time with. It's a great classic Overdrive and Distortion unit that many distortion units have copied over the years. It's still fairly affordable and sounds really great once you've learned to use it. If your looking for something other than the classic TS-9 circuit this might be right up your ally. 



This review was completely unsolicited, I received no compensation for it and all views and opinions are my own.