Sunday Morning Noodling

So I was noodling this morning and it sounded really good so I videoed a few minutes and this came out. This is my JD Strat with Seymour Duncan APS2's into the amazing Mojo Hand FX Zephyr, into my EVH LBX with the Visual Sound H2O in the loop for Delay. Hope you enjoy.

Dave Navarro Gear Guide

ADHD's Gear Guides at any Budget. I'm a firm believer that the tone comes from the hands. If your trying to achieve a certain guitar hero's tone you have to not just have the chops but you've got to get down their style of attack with your picking hand as well. That said every step you take toward finding the right gear is often very inspiring and WILL get you closer to “that” sound. I'm going to break these down into Guitars, Pickups, Pedals and Amps.

Dave Navarro Gear Guide.

Dave Navarro is one of those guys who just doesn't care about what guitar nerds think of him, and for some reason that seems to get under the skin of a lot of guitar players. But lets give the guy some credit, he's been a member of two of the most influential alternative rock bands in history, and been an A list session player for literally dozens of artist from Michael Jackson to Nine Inch Nails to Glen Hughes. He has an amazing cover band Royal Machines which brings out all kinds of guest stars and has done quite a bit of TV.

Guitars – Dave has used Ibanez guitars, Gibson Les Pauls and Fender Strats but his main weapon of choice is his signature Paul Reed Smith

PRS Dave Navarro Signature – Dave busted up most of his Ibanez guitars while on tour with Janes Addiction in the late 80's and borrowed a PRS from a friend. He was blown away by the quality of the instrument and ordered one right away. A few years later he settled on a white Custom 24 which stood out from the rest of the PRS line.

PRS SE Dave Navarro – The incredibly well built PRS SE line is one of the best built budget lines in the industry. Dave was cautious, wanting it to be as close to the original as possible. It's an excellent budget friendly model.

Note: the PRS Signiture line has been dropped for the time being but Dave is still an advocate of the guitars. Any Custom 24 in the Core, S2 or SE line up will get you there. 

Ibanez RG Series - Dave used Ibanez guitars in the early days of Jane's Addiction and has recently pulled one out for older songs. The Ibanez Premium and Prestige lines are well built but heads up if your looking at the budget models, some are fine, others have problems.

Pickups – Dave's Pickups haven't changed at all since his early days with PRS. A PRS HFS in the bridge and a Vintage Bass in the neck.

Seymour Duncan Hot Rodded Humbucker Set – I've mentioned this set on the site before and I still recommend it to anyone who needs a good versatile 2 humbucker set. It's the number one replacement set for a reason.

Pedals- While Dave likes to try out new pedals every so often, his live rig is a “if it ain't broke don't fix it” type situation. Wah, overdrive, chorus, and 2 delays. He's also been known to also throw in a phaser or an octave pedal at times.

Dunlop Hendrix Wah – While he has a couple of others Dave's choice has always been the Hendrix wah. It's simple, it sounds good, it works.

IbanezTS808- So sometimes this is a TS9 or a Boss OD1, Dave is not picky he just needs something to boost the mids for solos. 

Boss CH-1 Chorus – Dave sometimes has two of these, one for the clean sound and one to add some shimmer or thickness to the leads. It's been used by everyone from David Gilmour to Zakk Wylde.

Boss DD-3 Digital Delay - Dave loves delay. Check out his solo on Three Days. He keeps 2 or sometimes 3 on his board. One for ambient repeats, One for harder repeats that he likes to play with. Sometimes he has a third one for the cleans.

Visual Sound H2O - Not what Dave uses but it includes a beautiful sounding chorus and an analog voiced digital delay. Well built and well priced considering what you get, this is the new version of one of my favorite pedals. 

Amps – In the studio Dave likes to use a lot of different amps including a Bogner Uberschall, a Vox AC30, a Fender Twin, and Fender Deluxe. But his work horse for many years now has been a pair of Marshall JCM900's nicknamed Tangerine and Peach.

By the way, which one is Peach?

Marshall JCM900 - Dave Navarro played JCM900's since they came out. There is an internet rumor that Dave has his 900's modded but he says he hasn't. A lot of guys don't care for them because they can be bright sounding if not cranked up. And like a lot of Marshalls, some sound better than others.

Fender Deluxe Reverb – For larger gigs Dave needed something to use for cleans at louder volumes other than his Marshall's. A favorite of players everywhere, it makes a killer pedal platform to work with.

MarshallDSL40C – For a cheaper alternative the little brother of the DSL100 is hard to beat. It has a nice clean tone and a killer lead channel for all types of rock and blues.

UPDATE 2022- on the YouTube channel ToneTalk Dave talked about playing in his cover band Royal Machines. He said that he was playing with guys like Steve Stevens and Jerry Cantrell and was impressed with their Friedman amps so he called up Dave Friedman and ended up buying a Friedman BE Deluxe which he has been using ever since. Friedman designed the BE Deluxe to be a Swiss army knife of Marshalls. Navarro stated that he gets that Marshall high gain sound while being very clear and being able to hear each string better and that it cleans up much better so that he doesn't need the Fenders anymore. 

Obviously there are a lot of alternatives out there but these are a great place to start your tone search. 

ADHD Thoughts on Relabeling Pedals for Profit

I'll start out this post by saying I'm not going to call out any manufacturers. But I'm putting this out there so that you can know what to watch for if your doing research.

My Personal Experience with Deceptive Sales 
Several years ago I worked for a guy who was always trying to find a way to squeeze a few dollars out of people. He was very charismatic, quick with his answers, and seemed very sure of himself. In short he was a great salesman. One day one of our vendor reps was telling us about a product they had. It was a good product and suited our needs very well, and it was cheap about $38 for a Five Gallon bucket. We asked them if they had any problems with us putting our own label on it. They told us "we don't really care once we've been paid just don't ask us to stand behind it".  I thought it would be great to mark this up a little and resell it as a cost efficient alternative to other brands. But my boss had another idea "Let's sell it for a lot more, like $200 and we'll tell them that we mix it up here at the shop and at that price we could put a different name on it and sell it for multiple things." Not only we're we selling a cheap product at a premium, we were lying about where it came from. We were selling snake oil. A few months later, for a variety of reasons, I quit.

Deception in the Pedal Industry
So what does this have to do with guitar stuff? Recently a boutique manufacturer was outed as doing something similar. Taking a cheap Chinese made wah pedal (that was surprisingly good) putting "goop" on the circuit board to cover up components and putting his own label on it. The boutique pedal buying community is, of course, upset. Worse is that he has threatened legal action against forums in an effort to hide his deception. And of course this isn't the first time this has happened. A few years ago this happened with a popular cheap overdrive that I talked about here. Of course there is a line you have to cross to really make customers angry and for each of those customers that line may be a bit different.

So what is legal? We have clones and forgeries, forgeries are supposed to be illegal. Clones are supposed to change a bit not be built by the original manufacturer. I personally like it when brands say "we based this pedal on such and such and then changed some things like...". There are quite a few TS9 circuits out there with added bass, more gain, more available volume boost, and better switching among other things. I have absolutely no problems with this. Ghost building has been done by many brands, Ibanez did it with Maxon, and at the time Maxon wasn't importing in to the USA so for them it was a boom in sales and Maxon was building them for Ibanez. Ibanez has since moved production away from Maxon and both continue on. This is obviously legal.

But telling a customer that you are 1) building a product in the USA when it's being built in China, 2) that you are hand making some of the components when your not... well I guess I can see where someone who spent $250+ of their hard earned money would be upset. Especially when I've seen the original sell for $85 brand new. And it's not like he couldn't have sourced the components himself and done everything he was saying very easily. The wah is not a complicated circuit. I also have no problem with a company like Visual Sound who designs their circuits here and has them built overseas and shipped over. They are very transparent about where their products are made, it says it right on the label.

How to Protect Yourself
So how do you protect yourself? That's tough. The first thing is to do some research, I like to hit the forums over at www.freestompboxes.org to see if anyone has identified the circuit and any "changes" to it. I don't know that much about electronics but these guys do. Also I like to listen with my ears and not my pocket book. That's tough because it's easy to get caught up in the nostalgia of a product. Be aware that there are a lot of  guys on the internet who get pedals for free for reviewing them. (I haven't yet but if anyone wants to send me some... hint hint). Some of them like Pete Thorn and Bjorn from Gilmourish seem to know how to make almost anything sound good. If you notice on my pedal reviews I always say that I'm not being compensated and that my opinions are my own, if that is altered you might ask yourself why. When reading the marketing put out by a manufacture are they using vague terms like "musical" or more specific terms like "picking dynamics". You can tell if a pedal responds to your touch but will it make you more musical? Waiting to hear a product for yourself is always best, and if you can set up a blind test with some friends even better. One last thing going back to my salesman days, if someone brought up a competitors product we would always talk down about their product and talk about the benefits of ours, "why would you want to use that" is salesman speak for "I don't carry that but here is something I do carry that is sort of similar". It's a lot to keep in mind but your the consumer and it's up to you where you spend your money.

ADHD thoughts on Clones and Forgeries

Clones vs Forgeries

 It's no secret that a lot of pedal makers have taken Tube Screamer circuits and changed out certain components to achieve a similar, but different sound. They've done the same with Big Muff circuits, Fuzz Face circuits and a host of others. This is taking an idea and adding something that they felt is lacking in the original design or using better components and trying to create a better version of it. It's fun and creative and a lot of pedal builders seem to start off this way, as more and more people become aware of what they are doing. Analogman and Keeley both offer their version of the tweaked Tube Screamer with slightly different sounds than the current reissue. So, if you buy a current reissue TS-9 and would like it sound slightly different you can do the research and send it to someone to tweak.

For the purpose of this discussion I'm going to refer to clones as something where they have copied a circuit often using cheaper components, but are naming it differently and the pedal looks very different than the original. I've talked about the Joyo Ultimate Drive which is a clone of the Fulltone OCD. The parts are cheaper, the battery door doesn't close and I wouldn't expect it to stand up on the road like a Fulltone. I've also read that some of the Joyo pedal clones are closer in sound quality than others.

A forgery on the other hand is made to look identical and may or may not be sold to an unsuspecting buyer as an original. The forgery often uses inferior components and it may sound similar, but is rarely as good the real thing. Once again, I wouldn't expect it hold up if your thinking of touring with it. 

But I know the argument

Several years ago I worked for an artist supply store where we sold a brand of airbrush that was very expensive, at one point one of our sales reps brought us another airbrush that was identical for less than a third of the price. As it turns out, the more expensive brand was having this company build their product for them and now the manufacturer was re-branding it under another name and undercutting them. A lot of our artists were thrilled to have a high quality airbrush for $60 instead of paying the premium price of almost $200.

With a little bit of research you can find instructions for building fuzz pedals for $25 in parts. So, if a pedal builder is doing this and selling it $200 I can see where people would be upset. Visual Sound is a company who make no bones about the fact that their pedals are built overseas, they make a very good sounding and durable product at an affordable price. Most companies buy at least some of their parts overseas because they are not manufactured in the USA.  MXR and EHX both use overseas parts, but do their final assembly and quality testing in the US. Both are very affordable. 

What to look out for

So what about the forgeries? I read a sad story the other day from a dealer who said that a guy brought in his new guitar for a setup. He had just bought what he thought was used, but good condition Gibson Zakk Wylde Bullseye signature guitar off of eBay. It was a fake. This guy had spent a great deal of hard earned money on this guitar and it was not a very well built guitar. These new forgery pedals have the logos and looks and possibly the similar sounds, but are not built well. If you got a great deal on a used Wampler Triple Wreck on eBay only to get it and realize it's not as good as the one your friend has would you be upset? Or worse, if you got one and didn't have one to compare it to and it broke or didn't sound good would you then trash Wampler to your friends? Then talk about what a piece of junk it was? Now, you're hurting an honest guy who has worked hard to build a great business. You might even like the real product. Do you see where this goes? No where good. Nothing good comes of it. Something else I would like to add is that I believe that this happens in the Vintage guitar market more than people would like to admit. If someone can fake a guitar that sells for 30,000 dollars for under $1200 I'm pretty sure someone is doing it. 

It comes down to: know your product, know your supplier, know the return policy, and if a deal looks to good to be true, it probably is. I'd like to add that while we hear a lot of about these awful Chinese companies who are ripping off companies, I think that there are a lot good companies in China who are trying to better their quality and make an honest living. 

Know your product

A Few Things to Think About

A few companies like Lava Cable and VFE pedals make every effort they can to buy quality parts from US manufactures. This of course creates more jobs in the US, but you may have to pay a higher price. It should be noted that both Lava Cable and VFE have more affordable options in their lines that are priced at similar price points to their overseas competitors.

Having a pedal won't make you a better player. I really do believe that the sound of your guitar and amp is the most important thing. If you're not happy with that sound you probably won't be happy when you add in a pedal. If you like to learn and research stuff, there is a lot you can learn about building circuits so can you build a pedal that sounds the way you want. 

I've read a lot of interviews with smaller builders and they often talk about tolerances in electronics. They may specify a certain value in an electronic component but when they receive their shipment they often find that they have to test and sort each little component one by one to find the ones that actually are within acceptable limits. 

 Something else to think about is that if your not supporting the creative people who are creating and designing these products they won't keep doing it if they aren't making a living. They will be forced to go do something else. Most of these guys aren't making a fortune, they are creating a business that supports their families and sometimes a handful of other people. 

I think that there is a market for most of these different types of builders. Whether they are tweaking a circuit, building a clone, or trying to come up with something completely original. If their goal is to provide affordable quality options for real world musicians that is a worthy goal. If their goal is to only buy parts for their products from their home country, whatever that country is, I think that is awesome and patriotic. I personally would like to see more transparency from companies, I appreciate what Visual Sound does, as well as companies like MXR and Wampler and Analogman. But I drawn the line at forgery. 

The Marshall ShredMaster review

Back in January I stumbled across a killer find at a Flea Market. An original Marshall ShredMaster. I talked about the great deal I got here. This legendary pedal is pretty amazing but it wasn't exactly what I expected. For being called a ShredMaster this thing doesn't have a ton of gain on tap. I don't use a ton of gain when I play so this being on the low end of the high gain spectrum is fine with me. Back when JCM800's came out they were considered very high gain but compared to today's high gain monsters like Diezel, Engl or even the new 5150 III (which is fantastic IMO) it sounds pretty classic rock. But if you crank it up and hit it with a boost like a Tube Screamer or similar and it sings all day long.  The ShredMaster is the same way. Some of the more famous users of this pedal are Jonny Greenwood from Radiohead, and Kevin Sheilds from My Bloody Valentine.

My original Marshall ShredMaster!

The pedal is in remarkable shape for something that is over twenty years old and get's stepped on. When I first got the pedal the pots were a little scratchy. I checked with my tech guru that I use and he told me to order some DeoxIT, which cleans, protects and lubricates without using any overly harsh solvents that could hurt the circuit. Once that was taken care of I spent some time checking out all of the classic sounds in this pedal. You can nail easily JCM 800 sounds as well as hot rodded Plexi sounds with this thing. Early Van Halen? check, Zakk Wylde sounds? easy, ACDC? all day long! Honestly it's probably the original Marshall in a box. Compared to a Suhr Riot there is no where near as much gain but tone wise it's in the same family. One thing I'm not crazy about is the lack of volume in it. I keep the volume knob around two o'clock for unity. That's not a lot of front end boost. In fact I keep almost all of the knobs past twelve o'clock almost all of the time. But that's really not a deal breaker. My favorite feature is the contour knob. You can get great scoop sounds, which make it sound really heavy, or bring the mids back up for a ton of presence. I really don't know if it uses a buffer or not but the sound is very full, there doesn't seem to be any tone sucking going on but I'm pretty sure it's not true bypass so if that's important to you you may may want to skip this one.

 If your thinking you'd like to try a ShredMaster they seem to always have a couple over on Ebay. I've been checking Ebay for the last few months and have seen these pedals go for anywhere from $140-$200. Another option these days is that there are several pedal makers who are making clones of this pedal. A clone isn't always a direct copy. Often pedal makers change parts of the circuit or values to enhance a pedal if they think they can improve the sound. That's why there are so many Tube Screamer variations that all sound a bit different. If your wanting something in the same family but with more gain the Suhr Riot is pretty amazing. And the Visual Sound Jekyll & Hyde is a Tube Screamer and ShredMaster in one unit, which seems like a match made in heaven. I haven't tried one yet but I've been impressed with the sound quality and build of their other pedals and the Jekyll & Hyde is one of their best selling products. So that is worth checking out too. I was going to add some clips to this but that will have to wait until a couple of other things come into play. Very exciting stuff happening behind the scenes here, get ready for more.