There are a lot of very versatile wah's on the market. The Dunlop Dimebag Wah is probably the most verasatile of all of them. In fact I've read somewhere that when making an artist signature wah this what Dunlop sends out to start with. Then the artist tweaks their settings and sends it back and they make a prototype, and make changes from that. As much as I like flexibility, I'm pretty much a set it and forget it kind of guy when it comes to wah pedals. I mean, it only has to do the one thing, WAH! I like that Morley's are switchless, but that's not a deal breaker for me, and for me the crybabies that I've played have a brighter sound. If your playing bright clean sounds this might work better for you but I only use the wah when I'm playing with a distorted sound. My only two requirements for a wah is that one, I like having a power input so I don't have to worry about keeping batteries in it. And two, it has to sound good. For me the Vox wah has the best sound out of a straight up wah. Compared to other wahs it has a slightly darker sound, and is a bit throatier. To my ears it's more vocal sounding.
Vox V847A Wah Pedal |
Some people have complained about the buffer in the wah but I haven't found it to be a problem. If you try it and find an issue with it there seems to be two schools of thought. One is to add in a true bypass switch and disable the buffer, you can find instructions for these modifications by using Google. The other is to use a better quality buffer in front of it. This seems like the simplest solution but once again I haven't had this problem. It plays nice with my fuzz pedals and sounds killer to my ears. I'm always open to trying new gear and I'd like to try some of the new boutique wah's out on the market. But if your looking for a straight up, great sounding, and classic looking wah, this should be your first stop.
This review was completely unsolicited, I received no compensation for it and all views and opinions are my own.
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